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21 accelerates when action
hits the casinos
Whenever a screenwriter is adapting a blockbuster novel
into a feature film, theres always the danger
that the dialogue will get in the way of the action.
The result is a movie where the characters are explaining
the story with their dialogue instead of showing the
story with their actions.

Kate Bosworth and Jim
Sturgess star in the new card shark movie 21.
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Such is the case with the new movie 21, based on Ben
Mezrichs best-selling memoir Bringing Down the
House: The Inside Story of Six M.I.T. Students Who Took
Vegas for Millions. Although the story is a riveting
look at card-counting whiz kids who risk their lives
for money at casino blackjack tables, much of it is
told with the all the drudgery of an 8 a.m. statistics
class.
21 (a name so much inferior to Bringing Down the House
that one wonders why they changed it) stars Jim Sturgess
as Ben Campbell, a M.I.T. wunderkind trying to raise
$300,000 to attend medical school at Harvard. One of
his math professors, Micky Rosa (Kevin Spacey) recruits
him into an elite group of students that he flies to
Las Vegas on weekends to use his card-counting techniques
at the blackjack tables. Although desperate for funds,
he is reluctant to join the group until comely fellow
student Jill Taylor (Kate Bosworth) uses her feminine
charm to basically dare him into the group.
The rest of the blackjack group features students Choi
(Aaron Yoo), Kianna (Liza Lapira) and Fisher (Jacob
Pitts). To join the group and fly to Vegas on weekends,
Ben must alienate his best friends at M.I.T., Miles
(Josh Gad) and Cam (Sam Golzari), and abandon their
science project.
The first half of 21 sputters along as we meet all of
the characters and learn how the group is going to achieve
its no-lose blackjack plan. While Sturgess, Bosworth
and the others do a fine job bringing their characters
to life, too much of the early part of the film tries
to explain the card-counting procedure, a method that
would be better left a mystery.
The film really starts to fly, however, when the group
puts its plan into action in the casinos of Las Vegas.
Watching Bens first introduction to the city,
the audience is swept away in a sea of neon and showgirl
sequins. When he finally makes his way to a blackjack
table we watch as he takes his first addictive high-stakes
hand, we root for him with an all-too-real sense of
dread.
That dread materializes in the form of Cole Williams
(Laurence Fishburne), a casino security specialist whose
line of work has been threatened by facial recognition
software that many casinos are turning to. Intent on
showing the industry that he can do much more than a
computer can when it comes to recognizing cheaters,
Cole zeroes in on Ben and his M.I.T. gangs weekend
trips to Vegas.
As a heavy menacing force, Fishburne gets the MVP award
in 21 for taking the exciting casino action and turning
it into a matter of life and death.
21 is a movie that gets a lot of mileage from that old
based on a true story tag. Knowing that
it is a piece of non-fiction, the audience gives the
movie some leeway that it might hold back from a piece
of fiction. Despite that, there are some serious questions
that arise from this supposedly true story. How could
a professor fly to Vegas with five of his students every
weekend without arousing any suspicion at M.I.T.? Why
would a super-genius such as Ben Campbell hide his cash
in such a stupid place? When the group was in danger
in Las Vegas, why didnt they ever consider the
much closer Atlantic City?
The biggest drawback to 21 is the unrealistic love story
between Jill and Ben. It makes little sense, doesnt
add to the story, and there is little if any chemistry
between Sturgess and Bosworth.
In conclusion, 21 is a nice little diversion of a film,
especially when the action gets going in Las Vegas.
If director Robert Luketic (Legally Blonde) had taken
more poetic license with Mezrichs book, he might
have ended up with a more interesting, action packed
film.
21 is rated PG-13 for some violence, and sexual content
including partial nudity. It is currently playing at
Regal Cinema in Boone.
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