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Ghouls
Out for Summer
Jennifer Connelly Raises Dark Waters
Terror Level
When a film starts with a so-so script, it takes a Herculean
effort from the actors, director and film crew to elevate
it beyond its meager beginnings on the page. That rarely
happens, and when it does you have to think of what might
have been had the actors had a tighter script behind them.

This
is exactly why parakeets and ceiling fans dont
mix. Ariel Gade and Jennifer Connelly star
in the new suspense movie Dark Water.
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Such
is the case with the new modern gothic movie Dark Water,
starring Academy Award-winning actress Jennifer Connelly.
She gives a stellar performance and makes the film a truly
memorable experience despite its lean storyline.
Connelly stars as Dahlia, a newly single mother in New York
City who is engaged in a nasty custody battle with her ex,
Kyle (Dougray Scott), while also trying to find affordable
housing for herself and her daughter Ceci (Ariel Gade).
Dahlia has some pretty weighty emotional baggage from her
own bleak childhood and is doing her best to protect Ceci
from a similar fate.
Mom and daughter find a rent-controlled apartment across
the bridge from the city on Roosevelt Island. The rain-soaked
images of the island and its Communist-style architecture
are presented in depressing shots of grainy gray and black.
It is an effective mood-setter and background for the rest
of the story.
At first Ceci is resistant to moving into the old building
on Roosevelt Island, but once she finds an abandoned Hello
Kitty backpack on the roof, she changes her tune. She settles
into a routine at a nearby school while her mother takes
a job with a medical insurance firm.
Before long, their new apartment building takes on a life
of its own with its constantly dripping water, rickety elevator
and weird noises. How much of the buildings terror
is real and how much is in Dahlias head is debatable
and her ex-husband begins to exploit her paranoid state
in the custody battle.
Dark Water gets a lot of its strength from a fine supporting
cast including Scott, John C. Reilly as the apartment rep,
Tim Roth as Dahlias attorney, and the fabulous Pete
Postlethwaite as the buildings super, Veeck. Film
fans will remember him as the mysterious Kobayashi in The
Usual Suspects and as Guiseppe Conlon in In the Name of
the Father.
But the real stars are Connelly and Gade. Their chemistry
as mother and daughter have a lot to do with how the audience
feels about what happens to Dahlia and Ceci, particularly
during the harrowing last fifteen minutes of the movie.
Dark Water director Walter Salles has been a movie buff
since childhood and has always had a special place in his
heart for ghost stories. In this movie he creates a multi-layered
spectral experience as Dahlia is haunted by the ghosts of
her past who dwell in her head as well as by other beings
inhabiting the gloomy ten-story apartment building on Roosevelt
Island.
Ghost stories were especially intriguing, because
of the way they dealt with ones fear of the unknownand
the fear of the other, said Salles about the movies
he grew up watching. Only later, when I read an interview
that Stanley Kubrick gave to Michel Ciment on The Shining,
did I rationally understand what attracted the public to
this genre. The unconscious appeal of a ghost story
lies in the promise of immortality. It resonates not only
because we are afraid of ghosts, but because, if we fear
them, then we must accept the possibility that there is
more than just oblivion waiting beyond the grave,
he said.
In conclusion, Dark Water is a fine summer movie in the
creepy suspense mode as opposed to the true horror genre.
A little tinkering with the script and maybe more of a back
story might have given the audience a fuller emotional investment
into the lives of Dahlia, Ceci and, in particular, Natasha.
While perhaps not as scary as The Ring, it is far superior
to The Ring 2 and The Grudge. Heck, any movie that can turn
a Hello Kitty backpack into a frightening recurring image
deserves high marks for enjoyable audience manipulation.
Dark Water is rated PG-13 for mature thematic material,
frightening sequences, disturbing images and brief language.
It is currently playing at Regal Cinemas in Boone.
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