|
Defiance a victim of its
own mediocrity
By Frank Ruggiero

Tuvia Bielski (Daniel
Craig) leads an exodus of Jewish refugees to
safety through the Belarussian forest in the
film Defiance.

Daniel Craig and Liev
Schreiber portray Tuvia and Zus Bielski, two
brothers whose efforts saved 1,200 Jewish refugees
from certain death in World War II, in Defiance.
|
When considering Holocaust movies, the words romantic
comedy seldom come to mind.
Yet, somehow they manage to make an appearance in Defiance,
a World War II action-drama that suffers from a formulaic
case of the Hollywood treatment.
Directed by Edward Zwick (Blood Diamond, Glory), the
film is based on the true story of the Bielski partisans,
a group of Jewish resistance fighters and non-combatants
who sought refuge from Nazi forces in the Belarussian
forest.
Led by the Bielski brothers, Tuvia (Daniel Craig, Quantum
of Solace, Layer Cake), Zus (Liev Schreiber, Love in
the Time of Cholera, Scream) and Asael (Billy Elliot,
Jumper), whose family was slaughtered by the Nazi sympathizing
police, a group of approximately 1,200 Jewish refugees
managed to evade capture and establish new lives in
a forest community.
Having fled into the forest following the attack on
their village in 1941, the Bielskis first seek revenge
for their lost loved ones, their small brigade targeting
Nazis and collaborators, such as volunteer policemen
and area residents who reported their Jewish neighbors
to authorities.
In the process, however, they continuously encounter
fellow refugees, whom are taken into their care. Tuvia,
having previously served in the Polish Army, agrees
to protect those who seek their aid, and the brothers
efforts grow into an effective partisan brigade.
With regular missions to recover food from nearby
highways and villages, the refugees build a fully operational
camp site, complete with shelter, simple manufacturing
and repair operations, to assist Soviet resistance fighters
and the Bielski partisans own efforts. Eventually,
the village even had its own school, bakery and medical
clinic.
That, at least, is history. What Defiance presents
are those key points, surrounded by fluff and shoddy
screenwriting, including inane attempts at comic relief
and an uncomfortably long run time.
Its strength should be the story, one that is seldom
presented in Holocaust films, one in which the persecuted
fight back. Based on Defiance: The Bielski Partisans
by Nechama Tec and adapted for screen by Zwick and Clayton
Frohman (The Delinquents, Under Fire), the subject matter
is fascinating, casting light on a little known part
of World War II history, weighing the moral dilemma
between violence and non-violence, and telling the remarkable
story of ordinary people who overcome the ultimate adversity
in an unfathomably dire situation.
Unfortunately, the finished product bears nary a shred
of the emotion that must have filled those woods, instead
resorting to formulaically safe and sound plot devices,
many for the sake of attempted comedy, such as a bumbling
sentry and romantic subplots padded with lighthearted
comedy.
One-dimensional characters abound, just teetering
on the border of ethnic stereotype, while tired plot
devices offer a predictable storyline that drags longer
than some of Craigs intense glares. Despite the
material, though, Craig and Schreiber deliver decent,
yet far from memorable, performances; the supporting
cast even less so, particularly the near absence of
the fourth Bielski brother, Aron (George MacKay, Peter
Pan).
Where Defiance is short on character, however, it
is strong in budget. Its battle sequences are well shot
and intense, though their infrequency falls so short
as to categorize Defiance as more drama than action.
Unfortunately, without solid writing and characters
on which to depend, the drama just doesnt cut
it.
In the right hands, Defiance could have been a World
War II epic with emotion, mood and style comparable
to Saving Private Ryan and Das Boot, but in the end
becomes a victim of its own mediocrity.
On a positive note, the films score by James
Newton Howard (The Dark Knight, King Kong) was nominated
for best original score in this years Academy
Awards and Golden Globes.
Defiance is rated R for violence and language. It
is playing at the DragonFly Theater and Pub. For show
times and more information, visit www.dragonflytheater.com
on the Web.
|