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Renowned bassist returns to Boone
March 19
By Frank Ruggiero

Victor Wooten
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Victor Wooten is always learning.
Despite several Grammy Awards from his work with Bela Fleck
and the Flecktones, an ever-growing catalogue of solo albums,
a devout loyal following and a recent novel, the acclaimed bassist
remains open to new lessons.
As demonstrated in his most recent album, Palmystery, released
concurrently last April with his novel, The Music Lesson: a
Spiritual Search for Growth through Music, Wooten reveals a
deep respect for the creative process a lesson he hopes
to share with Boone and Appalachian State University.
Wooten returns to Legends March 19 as part of his 2 Minds
1 Groove tour, accompanied only by drummer and friend J.D. Blair.
Im going back and doing something I havent
done in about 10 years, Wooten said. When I released
my first solo project, it was a complete solo bass record, no
other instruments me sitting down with one bass, no overdubs
making a record just by myself, and so when I went out
on tour after that record came out, it was just myself and a
drummer. People have been asking for us to do that again
so, this tour, were going back to that.
Wooten promises the show will be quite different and, at times,
difficult, but in a good way. Some of the songs on Palmystery
feature a variety of instruments, but people will be surprised
that we can actually pull them off with just the bass and the
drum, he said. Its a lot of fun.
Returning to Boone also means fun for Wooten, who has family
and friends in North Carolina.
From the beginning of
Bela Fleck and the Flecktones,
we have always had a good history in North Carolina, and Boone
being one of those towns, so whenever I get the chance to go
back there, I feel very much supported and loved, he said.
It always feels good to come back there, especially Boone.
I always feel good there.
Its also a chance to see family, which has always played
a significant role in his music, and literally at that. As the
youngest sibling of the Wooten Brothers Regi, Roy (a.k.a.
Future Man of the Flecktones), Rudy and Joseph Wooten
learned his first bass riffs from Regi at the age of three.
By the time has five years old, Wooten was performing professionally
with his brothers. I definitely wouldnt be playing
music, at least not this way, without them, he said.
His brothers remain mainstays on his albums, and Palmystery
is no exception. Stocked with an impressive array of noted guest
artists, including Keb Mo, Mike Stern, Richard Bona,
Karl Denson and Blair, Wooten finds room to include his mother,
aunts and uncles, and his own children. The song The Gospel
features Wootens mother, whom he recorded over the telephone.
My brother, Joseph, and I were working on this song,
so we called up my mom and asked her to sing this particular
song we had in mind, Wooten said. It was a song
that might be one of my grandmas favorite songs, and she
started singing it. I was, like, Wait a minute,
and turned on the recorder and got a microphone and recorded
her. It fit perfectly with what we were working on; it was really
nice.
However, Wootens aunts and uncles, who also provide
vocal accompaniment on the track, were initially leery of the
idea.
It was almost like I had to pass a test for them to
allow me to use the song, Wooten said, and its
not because they own the song or because they were going to
get royalties
It was only because they wanted to protect
the sacredness of the song. Its an old spiritual, an old
song they sing in church, and they didnt want it used
anywhere. And these are my aunts and uncles whom Ive known
my whole life.
This minor confrontation led to Wooten learning a lesson.
It really made me rethink my own music, made me rethink
how I think about my own music, meaning if someone wanted to
use my song, how would I think of it? Would I protect my song
or would I protect myself and make sure I get paid? It was interesting
to think about someone protecting the music for the musics
sake.
Palmystery is carefully packed with music for the musics
sake, distinctively Wooten yet varied through his guest artists
own brand of creativity. Some of the tracks were recorded a
couple years ago during the NAMM (National Association of Music
Merchants) Show in Nashville, Tenn., where Wooten lives. A sizable
host of musicians were visiting town for the show, and
I kept grabbing a few of them and bringing them to the studio
and recording what I could come up with, so some of that has
ended up on this record, Wooten said, mentioning Stern,
drummer Dennis Chambers and keyboardist Neal Evans.
Most of the time, I leave the song pretty open so that
they can interpret how they hear it. Rather than me just saying,
Here, play this, I play them the song and pretty
much just put it on record with them plugged in and see what
they come up with. Then, theres usually a combination
about the idea I had and what they naturally hear.
In terms of combination, the simultaneous release of Palmystery
and his novel, The Music Lesson, is no coincidence. For one,
the invented word Palmystery is a play on palmistry,
the perceived ability of palm-reading ones future. You
put the word mystery in there, like people can read
your whole life story in the palm, which is letting you know
that your life is in the palm of your hands, Wooten said,
but with this title, you also realize that life is also
a mystery.
Such is a theme in The Music Lesson, which tells the tale
of a struggling, young musician visited by a mystical teacher,
who guides him on a spiritual journey to discover the music
within.
Throughout the last decade and more in which Wooten has taught
music, people repeatedly asked him to write a book about his
philosophy of music, because its a little bit different
than most people, he said.
While such requests seemed befitting for an instruction booklet,
that was the last thing Wooten wanted to write. It took
me years before I
realized I could write a fictional story,
a novel, and put that same instruction in there, and even more
stranger things about music, even some of the things I wouldnt
talk to people about in public, because theyd question
it too much.
Now published by Penguin, the book is available in multiple
languages and is now being recorded in an audio version, in
which Wooten is playing a major role.
Tons of music, oh yeah, is how he described the
audio version. Thats the cool thing. I got the original
Flecktones back together to record a song for it.
Measures from a song on Palmystery called The Lesson
appear at the beginning of each chapter. When you read
the whole book, you get all the measures and put them together,
and then you have this song, and the Flecktones are playing
this song, he said. And once you read the book,
youll understand the music better, because you can hear
some of the things that were doing
some of the things
that are explained on the book you can hear on the CD, or especially
when we play live.
Folks in Boone can learn for themselves Thursday, March 19,
at 10 p.m. at Legends on the Appalachian State University campus.
Tickets cost $10 and $12. For tickets and more information,
call (828) 262-3032.
For more information on Victor Wooten, visit www.victorwooten.com.
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