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By Joel Frady
Anyone that has seen 300 realizes that director Zach Snyder
has a keen eye for crafting glorious images, and his new film
Watchmen provides evidence that he knows how to create spectacular
images. But Watchmen, unlike 300, has more than enough substance
to match the style - this is a film that's about the human condition,
the thin line between good and evil and, after all of that,
some interesting superheroes.
For Snyder, Watchmen is a giant step forward as a filmmaker.
After 300, a 117-minute film that felt too long, he brings us
a 163-minute film that left me wishing it was longer. Watchmen
has rich characters we care about, stunning special effects
and a plot that focuses more on the "Why?" than the
"What?" It reminded me of the first time I watched
Sam Raimi's brilliant A Simple Plan, a complex, heart-breaking
morality tale from the director of The Evil Dead and Darkman.
In both cases, tried-and-true action filmmakers proved they
could capture something much harder than great action sequences:
the dark, frightening and usually lonely depths of humanity.
Watchmen, which is also a terrific action film, whisks viewers
away to a most unusual place: an alternate 1985. Unlike other
alternate 1985s, however, this world was not created by a curious
teenager with a DeLorean; instead, the film is set in a world
where Nixon is serving his fifth term, superheroes have been
forced into hiding and the United States, which won Vietnam
thanks to superheroes, is on the verge of nuclear war with the
U.S.S.R.
A handful of these superheroes - some longing for their glory
days, some happy to live a quiet existence - are brought back
together after the murder of The Comedian, a "superhero"
so vile and hateful that he makes Snake Plissken and John Gardner's
Grendel look like Wiliam Wallace and Lassie in comparison. Rorschach,
another member of the group, believes that someone might be
out to kill all the members of their crime-fighting fraternity
and sets out to alert the other members. Most of them either
don't perceive the same threat or, in the case of the physics-defying
Dr. Manhattan, simply don't care.
The plot twists and weaves its way from here, and any more details
would ruin many of the wonderful surprises. But it doesn't harp
on the "superheroes deemed criminals and forced into hiding"
aspect (I was worried it would be nothing more than a dark version
of The Incredibles), and it's as unpredictable a film as any.
I also thought that it managed the philosophical elements perfectly,
never getting too deep and boring the audience (like The Matrix
Reloaded) or indulging in mindless violence.
The sheer brutality of Watchmen also helps - even if people
are going to spend several scenes looking the other way. At
first I wondered if it was too brutal, but I actually think
that it works because, unlike so many films, the violence isn't
glorified. It creates that uneasy feeling that violence should
instead of simply presenting stylized deaths for audiences to
cheer about. In this sense, it creates an atmosphere of fear
instead of excitement.
Watchmen blends so many genres it's hard to count, but it works
since each character's story is told in a different style. Rorschack,
for example, tells his part through gruff voice-over narration
right out of a film noir with the dark, shadowy photography
to match. Dr. Manhattan's world is much more colorful (aside
from the fact that he's blue), which helps contrast just how
lifeless and inhuman he has become.
While I loved Watchmen, it's definitely a film that one will
never fully understand without watching it. Even with one viewing,
it's still hard to understand. But it is, above all else, completely
alive: despite their powers, these are rich characters the viewer
will care about. Despite the massive special effects, it's a
very personal story that's about anything and everything.
It's also a reminder of just how far the "comic book movie"
has come; we've left the realm of goofy plots, clichéd
dialogue and silly effects and entered a place where heroes
live in worlds that scare them, and they are as flawed and insecure
as the rest of us.
Simply put: if you've hated the realistic turns of comic-based
fare, like The Dark Knight, and long for the days of pointless
dribble like Superman III, this movie might not be for you.
But if you're up for an exciting, challenging film of surprising
depth, Watchmen might be the one you've been waiting for.
Watchmen is currently playing at the Regal Cinema 7 in Boone.
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